Backpain - the cellist's fate
Or at least I thought so for the longest time; since my early twenties I suffered of lower back pain, and I tried everything to get rid of it.At the beginning I tried simple back exercises in a gym, which helped a bit, but as soon as I stopped going there because I found it humiliating the pain returned. Then I tried several doctors, Yoga, Feldenkreis, also tried to ignore it, but over the years it got worse and worse.
Projection, or "Is cello really a solo instrument?"
One blogger (Thomas Walter) sent me last week an e-mail asking about projection, and I thought this was an interesting issue for this little forum here.
Haydn in Nashville - bad travelling...
There seems to be some kind of curse on my travelling to the US this year. Already the trip to San Diego was in both direction hindered by missed or cancelled planes. To Utah the same thing, and now I had to fly to Nashville....It started already on the day of my departure. My original flight from Berlin via Frankfurt and Washington was supposed to leave at 2:35 pm on Feb 13. That gave me enough time to practice in the morning, go to my weekly tennis lesson (which I missed already 4 times in a row this year...), shower, pack, lunch with wifee and travel - well, when I got home after tennis at 11:50 am there was a message on my cellphone informing me, that my flight Frankfurt-Washington had been cancelled, the only chance would be to fly via Munich, at 12:50 pm.
Family Holidays
My German manager and friend Markus Bröhl told me today on the phone that finally I sounded happy again and wanted to know what the problem was before. Nothing, I replied, I was as miserable and sad as always :) My situation is exactly the same like the weeks before, except that I am a bit nervous since I haven't touched the cello for 6 days, and in 2 days there is a Haydn D Major in Nashville to play.
Prokofiev Sinfonia Concertante in Utah
Just got back to the hotel after playing a run-out performance with the Utah Symphony in Ogden, 32 miles from Salt Lake City.I had to play one of my favourite concerti, the Sinfonia Concertante by Prokofiev, a piece which works really well if one takes the markings of the composer seriously - shaves off about 10 minutes from performances. Actually rather simple: just don't drop to half speed whenever there is a slow tune to milk. Think long lines, think like a singer, and immediately the piece grows and becomes much more effective.
Never Sick...
I am never sick. Actually I am normally even bragging about my desire to "sick", thinking of being able to stay in bed all day, to read books, papers, to listen to music, hoping of hot tea and the pity of the loved ones... Well, what can I say - after the snow storm in Dallas couldn't stop me on my way back to Europe, and the century storm "Kyrill" two days later delayed my homecoming from Jersey for only five hours, it was my son Janos who gave me his infection - a little flew.
Elgar and Sports in San Diego
The last few days have been a reminder to me why I love so much what I am doing: to play a beautiful piece with an enthusiast orchestra and a very fine conductor while having time to do some outdoor activity and making new friends - what else could one want from life?
The "Art" of memorising
In the last response to my last blog David asked about how I memorize, and since I don't have any secrets and would like to share maybe useful techniques, here we go.
Concentration
Bob asked in one of the last Blogs how my Reger went last week. The situation was that I tried to force myself to learn music which I have to play respectively record next year.
We are our own worst judges
How was your concert? - I never know how to answer this question. I don't know, honestly, how good (or bad) a concert was I played in myself. Why is that? Because we are our own worst judges.
Hesitation before practice
Do you know how it feels when you have this pile of work in front of you to practice and you can't really move yourself behind the cello? Or any instrument for that matter?
Romantic Celloconcertos II Hyperion
In March 2006 I recorded the second Volume of Romantic Celloconcertos with the Radiosinfonieorchester Berlin under the direction of Hannu Lintu in the Jesus-Christus-Kirche in Berlin (the same venue where Karajan recorded many of his records) - concerti by Schumann, Dietrich, Gernsheim and Volkmann. Why would I record pieces I have never heard of. Why not Schumann with Rococo, Dvorak and Elgar? These are concertos I play over and over, I know backwards and I interpret differently to other performers. Why not? Because I wouldn't buy this disc myself - have already too many like that. Because I find it more interesting to enlarge the cello repertoire than to jump around the same (beautiful) handful of pieces. To learn completely new pieces for just one performance which is forgotten as soon as it has been played, is almost not worth the effort. For a cd it's different - you can show to an audience of several thousand listeners, that there are other worthy pieces, and you can play them over and over again.
On Tour with my son János
For the first time ever I had to take my son János to concerts with me, because his mother has some on her own somewhere near Miami.
"Tristan" for a 7-year-old
Just got back from "Tristan and Isolde" at the Staatsoper unter den Linden (in Berlin), and I wanted to write about this, because I went with my 7-year-old son János. After going with him on our motorbike to watch our local soccer team Hertha BSC win at the Olympic Stadium (where the world cup finals took place) three days ago, I took him today to his first "real" opera, not counting Hänsel and Gretel or Pinocchio. And it was for real: four and a half hours of music, intense, beautifully conducted by the living legend Daniel Barenboim, and this little son of mine was sitting through the whole thing with red cheeks, even getting the orgastic climaxes throughout the opera. I was all prepared with a pillow in case he wanted to sleep on my lap, had brought his drawing papers and pens in a bag, food, water, anything he would have liked, but no, he sat there more silent than most of our neighbours and enjoyed. Oh, it made me so happy, because I think nowadays it's even harder to get your kids off the TV hooked to something else but electronics and games, and obviously this meant something to him. He has always been somewhat fascinated by death, and this opera is full of it.
Werktreue - faithful rendition
Today I received very respectful criticism in a cellist forum about the freedom I take while playing Bach. This is one of my favourite subjects since, and here is my answer.
Airhead
While practicing I received a text message from my friend Annette, the singer, if she could invite herself for a ride on my new motorbike - since I looked for a good excuse not to practice too much, I told her to come over. We had a little coffee first (I just got into self-roasting my espresso beans, which is a science for itself, but what can I do - I love coffee so much. No, don't need it, doesn't really do anything to me, but I love the taste!), talked about the day, Hertha BSC (the Berlin soccer club) and what airheads both of us are. I was even wondering if this had anything to do with some kind of depression, because sometimes I don't manage to do the most easy things, like picking up a sweater from the floor, or, my worst nightmare, bringing down the garbage. I pile it up until it reaches the ceiling (well, not quite), even though it would take me 2 minutes to bring it down.
Bach Suites
Today I finally started to learn the C Major Bach Suite. Oh my god, I know it so well by just listening to it numerous times, but how hard is it musically.
Motorbike
Yesterday I bought my first motorbike. Yes, on some of the photos I am riding a scooter, and yes, this was mine, and yes, I did ride it with my cello on the back. But now, just after summer, I made my motorbike licence, checked out autoscout24 and got myself a Yamaha XJ600N. His mother doesn't really want me to take Janos more than once a week, but I guess this is going to be difficult, since it is sooooooo much fun to drive around Berlin, especially having your kid behind you. I would have loved my father do anything like that with me...
Cello and Rostropovich
Sorry, this is an article I wrote for a German music paper - I am too lazy to translate it now, but maybe I get around it one day...
Zunächst muss ich gestehen, dass ich kein besonders großer Cellofan bin. Weder habe ich viele Cello-CD’s noch spreche ich gerne übers Cello an sich. Für mich ist es vielmehr Mittel zum Zweck, und dieser heiligt bekanntermaßen die Mittel. Der Zweck? Musikmachen, und zwar so oft, impulsiv, intensiv wie nur möglich.
Pretentious People
Yesterday I had some delicious "Grühnkohl mit Mettwurst" (kale with smoked sausage) at the Weihnachtsmarkt next to Deutsche Staatsoper here in my hometown Berlin together with wonderful and beautiful soprano Annette Dasch who had just made her debut at La Scala.