Sharing thoughts or just describing concerts?
A German journalist reminded me the other day of my diary which is called “blog”, asking how much my audience has to know about me. I told him that as long as it wasn’t embarrassing they could know everything, and since there is very little I am embarrassed about it would leave far too much material which obviously I am not sharing here as I hardly ever post anything. And do I really share my deepest thoughts about music, life, feelings, ideas on these pages here? While I have never received a proper shitstorm I have been misunderstood and misquoted before, I have harmed myself by sometimes being too opinionated and by giving out judgements where it might not be my place to judge as I am too involved in the musical world.
Not without my son...
After not really having been much of a father the first time around 15 years ago for my first son I am making up for it the second time. When my first son Janos was born I was living with my first wife in New York, mainly performing in Europe which meant I was travelling back and fourth sometimes for just one single concert, and still I didn’t really manage to participate in his first two years, neither do I remember much of it, sadly. As I was the sole generator of income it was the deal that I would continue my career while Janos’ mother took care of him while studying part-time. Entering the third year of my second (and last!) marriage I am happy to realize that I learnt from my mistakes.
Fitzenhagen and the Rococo Variations
Wilhelm Fitzenhagen was a young German cellist and composer who had taken lessons with the famous professor Friedrich Grützmacher in Dresden, and after performing at a Beethoven festival in Weimar, Franz Liszt offered him the job of principal cellist there. Simultanously Nikolai Rubinstein had tried to lure the talented Fitzenhagen to Moscow to become the cello professor at the conservatory there and in what I’d consider a very brave move, Fitzenhagen accepted the Russian offer over staying in Germany. In Moscow he became good friends with Peter I.Tchaikovsky and convinced him to write a piece for cello, the Rococo Variations.
Vieuxtemps Concertos first edit
Flying to Australia is always a welcome excuse to catch up on films, getting acquainted with the newest TV shows (just watched “Dexter” for the first time), answering e-mails and writing for my so-called “blog”. The first two legs from Berlin to Copenhagen and from Copenhagen to Singapore I brought already behind me, sitting comfortably in my chair on Singapore Airlines flight 213, sipping on a tomato juice, the cello right next to me. Yes, after the accident with my bow I stopped checking my instrument into the cargo, can’t take the risk and the stress anymore – getting wiser with age or just lazier?
Artist in Residence
The busiest one and a half months in a long time with seven concerti, almost complete Beethoven Sonatas and Bach Suites were topped by my very first artist-in-residency with an orchestra. In between concert in Sevilla (Dvorak), Amsterdam (Frank Martin), Oslo (Chin), London (Schumann), Barcelona, Madrid and Valladolid (Lalo), Berlin (4 Beethoven Sonatas), Fort Worth (another Schumann) and now Hangzhou (Elgar), I flew to Portland (no, unfortunately not connected with the set of concerts in Fort Worth with the wonderful Fort Worth Symphony and a great conducting musician, Josep Caballé Domenech) to play three times the Rococo Variations plus Silent Woods by Dvorak, starting the first week of a three-year residency in this lovely city. While other orchestras have their “artist-in-residence” come several times within one year to play different pieces with the orchestra and maybe also give a recital, the idea of the Oregon Symphony and its chief conductor Carlos Kalmar was rather unique:
Concerto Marathon
Sitting in a train, dashing back from my last concert in order to spend a bit of late-night-time with my son, always gives me the opportunity to get some work done. Answering e-mails, returning calls, or, as rather sedlomly recently, writing my little diary here. I know, I should just translate the monthly blog I am writing for this music magazin “Fonoforum” in German, but this would take much more time than writing something new – at the same time it’s kind of boring writing twice about what happened in the past few weeks which is the reason I have almost stopped posting something here.
Skiing in Switzerland...
I am not trying to justify myself, but I will just give you another (weak) reason for my laziness in writing here: thanks to a chief editor of a classical magazin in Germany, the “Fonoforum”, who somehow thought that my way of writing rather honestly and directly about whatever happens to a travelling musician could be of interest for his readers, I am writing every month a “thing” for his publication. And somehow, this “thing” which I am normally writing within an hour or so, takes even more drive away from writing onto my own homepage. And while writing here is without guidelines and not too many readers (or at least I don’t know them), at the Fonoforum I mustn’t write more than 3500 letters which I haven’t managed yet, and the poor man is pretty upset about my unability to just state the most important things – I just wrote the new “blog”, and I am already at 3935, which is almost 15% above.
The Week After
I promise I really wanted to write my freshest memories from the world premier of Unsuk Chins Celloconcerto – and what happened? Nada, niente, nothing but hot air! Laziest cellist in the world has nothing to say anymore, even though there were enough emotions flowing I would have liked to capture in the aftermath. Big difference: normally I am alone after a performance, and the trip back home or to the next engagement has lots of empty time which I often fill with writing e-mails and blog. This time my little family came over to London to hear what all the work in Puerto Rico had been about. Besides that they love the Proms and didn’t want to miss my second one within 12 months (I got to play Prokofiev’s Sinfonia Concertante August 2008 after the Chin premier got postponed). But with my son and wife around I didn’t have a free second afterwards, especially since we had planned a mini-trip to Italy and Croatia right after the concert.
The Unsuk Chin Celloconcerto - Preparing for a World Premier
Exactly ten years ago, summer 1999, I met through my friend Lisa Batiashvili in Helsinki her old friend Maris Gothoni accompanied by the lady he had just married, the Korean composer Unsuk Chin at a party following a concert of Maris’ father Ralph. Unsuk and me didn’t really get to know each other back then, but when I saw her four years later after the world premier of her violin concerto at the Philharmonie in Berlin (for which she subsequently won the Grawemeyer-Award) she invited me sponaneously to the pre-concert party at her flat in Berlin-Charlottenburg.Her violin concerto was the first piece I had heard and I absolutely adored it. Its full of colours and an almost childlike imagination; I felt that Unsuk is one of the few living composers how have found their own musical language, and this made me dream of her writing a cello concerto. Her interest in me as a person and musician made me very hopeful, so whenever I could I accepted her generous invitations to her wonderful parties (she is an amazing cook!) and was happy to “give back” by not only bringing a bottle of bubbly (she loves champagne) but also my cello to play for her and her guests.
Father and Soloist
Often I am being asked in interviews how difficult it is to combine the life of an egotistical soloist with having a family (somehow this subject sounds familiar – I must have written about it already; if so, please forgive me for repeating myself!). Last week I lived the perfect example of how easy it can be to combine the two pleasures; my ex- wife attended a seminar in Los Angeles and our son János who had just switched schools refused to stay alone in Berlin during my trip to Oslo (he could have stayed with my father or my sister). The solution was far too tempting for me to turn down: He had to come with me to Oslo. During school time. Why not? He took massive amounts of homework with him, his laptop with online-work to do, and by experiencing a new city the loss of missing three schooldays would be within the limits. We had done it once for a much longer trip to Vancouver and it worked beautifully, but this time was even better. He is ten years old now and a wonderful travel companion, witty, warm and very supportive, strangely enough. He loves music and didn’t mind me practising next to him while doing his homework or playing Fifa 09 and chess on his PSP (this is some Sony playconsole, for those who don’t have 10-year-old children) and practising the piano during my rehearsals. And it was wonderful of having at least one loved one for my debut with the Oslo Philharmonic at my side. The afternoon after the first rehearsal we had some rather philosophical conversations about love, life and especially death (he is fascinated by this, also women start to be more interesting for him than a few months ago – he doesn’t understand them or at least not the ones he knows), studied a bit and then – only free evening of the stay there – we went to the movies to see Pink Panther.
Dvorak in Boston
What a privilege to be able to play one of the great concertos of all times in one of the most gorgeous halls in the world, Boston Symphony Hall! I played here already three years ago, but I was far too nervous to actually enjoy and live the moment – tonight I was much more at ease, and it felt really special. Actually, today we even had two concerts; the dress rehearsal was an open one, and when I got to the hall at 9 am to practice I saw already many people streaming towards the hall. I got scared, thought, that maybe the rehearsal didn’t start at 10:30 but at 9:30. But no, it was just the free seating which made people come really easy so that could grab the best seat in the house. At 10:30 the house was packed and we didn’t “rehearse” but played a full-powered performance for this lovely audience. I am not a big complainer, but I had moments when I wished I could just stay home and enjoy my life. Tonight was one of the moments which reimbursed me for all the trouble this profession (or calling) brings with it. Playing Dvorak Concerto with Boston Symphony under a conductor like Marek Janowski (for me one of the great living conductors) just pays off anything, and at least on stage the Symphony Hall sounds better than all other halls I have played in – the cello plays more or less on its own. Audience wonderful, very attentive and apreciative at the end, and I must admit, I am really sad that already a third of my time in Boston is over :(
Presidents and Brahms in Ludwigsburg
The other day I was asked by a journalist in a live radio interview about my open and direct writing in my blog. Wasn't I aware that complete strangers would be able to read my deeper thoughts and feelings, and how did that feel? I must admit this question shut me up for more than a month now - maybe it felt a bit like criticism for saying too much, showing too much of myself. My beloved wife herself doesn't agree with me being so indiscreet about myself. Well, let's face it: another cheap excuse for not having written in a long time! :) Even though I did experience many quite wonderful things since my last entry, so maybe there is a bit of truth in me having become a bit insecure about sharing everything. My problem is that I don't have this "privace filter" in my brain. I don't feel the need of privace, I don't really know what it is. I am slowly learning, because it seems women need a lot of that. But for myself I found out that either I write openly, no taboos or secrets, or I don't write at all. Took me a month to figure that one out, and now I am back on (the writing) track.
Missing Flights...
That hasn't happened to me in several years: I missed my flight. In my calendar which I am always synchronizing between the cellphone and my laptop it said that I had to catch a flight at 5:52 pm leaving Newark to Spokane via Seattle. Minutes before I had to leave the apartment at 4 pm, I checked my e-mail and found a reminder from Orbitz that my flight was leaving at 5 pm on-time from JFK. I raced with the car which was waiting in front of the building to JFK just to get completely stuck in traffic and arrive 10 minutes after the departure of the flight.
Open Your Eyes...
Even though I should be in bed since about one hour, I suddenly felt the urge of starting this silly computer of mine (which I have avoided in the past 10 days!) to take care of some serious business like answering e-mails, paying bills, checking reviews and reading the new blog entries - thanks for them, by the way! Before turning this addiction underneath my fingertips off I decided to write a quick conclusion after these rather exhausting past two weeks with 8 concerts in four cities and two continents, playing a solorecital, Shostakovich 2nd concerto as well as Rococo, Dvorakconcerto and Dvoraks Silent woods while practising as much as possible new stuff.
Last Second Kind of Guy in Seoul
I am a last second kind of guy. Do you know people like that? Always late, not out of arrogance, but because there is always so much to do in the last seconds before one has to leave. And when do I plan to leave? Always so that I don’t have to wait; be it for meetings, concerts, trains, airplanes; check-in two hours before? Not with me! Security lines? I don’t care, I don’t want to arrive at the airport earlier than 1h10 min, with a maximum of 5 minutes extra time for disaster (flat tire, accident, traffic jam, missed train etc.).
Short trip to London
This little trip couldn't have been more efficient: my pianist Markus Becker and me flew into London last night, arrived at 7:50 pm after a day of rehearsals in his hometown Hanover, and left today at 8:15 pm after our lunchtime concert at LSO St.Lukes.
We are our own worst judges
How was your concert? - I never know how to answer this question. I don't know, honestly, how good (or bad) a concert was I played in myself. Why is that? Because we are our own worst judges.
Airhead
While practicing I received a text message from my friend Annette, the singer, if she could invite herself for a ride on my new motorbike - since I looked for a good excuse not to practice too much, I told her to come over. We had a little coffee first (I just got into self-roasting my espresso beans, which is a science for itself, but what can I do - I love coffee so much. No, don't need it, doesn't really do anything to me, but I love the taste!), talked about the day, Hertha BSC (the Berlin soccer club) and what airheads both of us are. I was even wondering if this had anything to do with some kind of depression, because sometimes I don't manage to do the most easy things, like picking up a sweater from the floor, or, my worst nightmare, bringing down the garbage. I pile it up until it reaches the ceiling (well, not quite), even though it would take me 2 minutes to bring it down.
Willkommen zu Alban's Blog
Since a while I started thinking of starting my own blog in order to get some more feedback from fellow musicians or general audiences about the way I see, feel and understand music making, the music "scene" or business as well as general things in culture. I have no idea if there is a real interest for this, but I thought I'd check it out and see what happens...